By Ivan Klíma
Ivan Klima has been acclaimed by way of The Boston Globe as "a literary gem who's too little preferred within the West" and a "Czech grasp on the best of his game." In No Saints or Angels, a Washington submit most sensible e-book of 2001, Klima takes us into the guts of up to date Prague, the place the Communist People's military of the Stalinist period marches headlong into the drug tradition of the current. Kristyna is in her forties, the divorced mom of a rebellious fifteen-year-old daughter, Jana. She is starting to love a guy fifteen years her junior, yet her pleasure is clouded by means of fear -- Jana has been slicing university, and maybe utilizing heroin. in the meantime Kristyna's mom has compelled on her an enormous field of private papers left by means of her useless father, a tyrant whose Stalinist beliefs she despised. No Saints or Angels is a strong e-book within which "Mr. Klima's prepared feel of background, his deep compassion for the standard humans stuck up in its toils, and his abiding expertise of the fragility and resilience of human existence shine through.... Like Anton Chekhov, Mr. Klima is a author in a position to express us what's impressive approximately traditional life." (The Washington Times). "Ultimately, it's Prague, with its centuries of glory and distress, that offers No Saints or Angels its humane power." -- Melvin Jules Bukiet, The Washington submit ebook World" A compassionate realist, [Klima] unflinchingly provides the issues dealing with glossy Prague and civilization in most cases ... [and] fills it with mercy." -- Jennie Yabroff, San Francisco Chronicle "Stirring and valuable." -- Jules Verdone, The Hartford Courant
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Extra info for No Saints or Angels
Example text
Reine Dieu crawls to the highway. Mademoiselle turns her back on her. Catherine Legrand catches up with her. Reine Dieu and Catherine Legrand hide behind the chapel. You are reading whole sentences aloud out of the book. Mademoiselle is sitting in the wicker chair behind the big desk which comes all the way to the floor so you can’t see her legs. She is reading from the same book as yours. Denise Baume is repeating a sentence. Helene Corte has already read this sentence but she could not finish it.
You leave her sitting down. As you go down the steps you can hear her crying loudly. I? J l Veine Dieu is at the blackboard. She is mak ing a mess of her multiplication. The board is behind Mademoiselle’s platform, so that Mademoiselle turns halfway around in her chair and twists her neck to watch her. From the side you can see her bun and half of her glasses, one of the steel rims with glass in it. The frame is hooked behind her ear. You can see it clearly because her hair is pulled back by the bun.
Veronique Legrand has blond hair that is al most white. She runs ahead on the path, you can see her knees touch her chin when she jumps. And her hair bounces above her forehead. You stop to make weewee because nobody is around. You squat down. You watch thejarme make patterns in the dust, the little golden \fills imn around islands, then disappear under the thick leaves that look like rhubarb. Big flies buzz by. Veronique Legrand says, W hat is meat made of. It is made of the stuff in your nose, all the nasty 30 things that are found in noses.
No Saints or Angels by Ivan Klíma
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